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Atmosphere has always been the defining force behind UMBERSOUND's music. Led by Joe D'Angelo (Grey Skies Fallen), the American atmospheric doom/death project has steadily refined a sound built on slow-burning emotion, weight, and introspective storytelling. With their third full-length album, Tracks From The Slither, released on 6 July via Red Book Records, Umbersound continue to explore the darker corners of the human psyche. Across ten interconnected tracks, the album examines themes of avoidance, inner decay, and emotional isolation, pairing mournful doom/death metal with immersive songwriting that prioritises feeling and atmosphere over technical excess. With that in mind, let's take a closer look at what Tracks From The Slither has in store.

The album opens with its title track, 'Tracks From the Slither', immediately immersing the listener in a dense and oppressive atmosphere. Expansive cymbal work lays the foundation before a dual vocal performance, centred around haunting, almost ritualistic screams, adds an unsettling edge to the composition. Beneath it all, a remarkably thick bass tone and crushing guitar riffs create a suffocating weight that perfectly complements the band's atmospheric doom/death approach. It is a powerful opening statement that establishes the album's bleak and immersive character from the very first moments.
'The Hands That Build Beauty' adopts a more melancholic approach from the outset, with sorrowful melodies and emotionally charged vocals setting the tone. Beneath the surface, however, effective drumming and dissonant, heavily distorted instrumentation provide the track with a solid and oppressive backbone. The vocal performance is steeped in regret and anguish, perfectly complementing the suffocating melancholy that defines the composition. It is the kind of song that invites the listener to close their eyes and simply allow its emotional weight to settle in.
“My God It's Coming From the Ocean" draws its lyrical inspiration from H.P. Lovecraft's Cthulhu mythos, exploring humanity's confrontation with an incomprehensible force beyond its control. Musically, UMBERSOUND mirrors that descent into the unknown through slow, thunderous instrumentation and a hypnotic pace that gradually envelops the listener. The result is a haunting, theatrical atmosphere steeped in darkness and unease. The vocal performance conveys both melancholy and isolation, yet carries an underlying sense of urgency that borders on the ritualistic. It is an immersive composition that invites the listener to surrender completely to its oppressive atmosphere.
'The Loop" places its instrumentation firmly in the foreground, while the vocals initially linger in the distance, emerging as little more than ghostly whispers. As the song unfolds, the screams gradually become more defined, yet they remain partially engulfed by the overwhelming presence of the drums, bass, and guitars. At first, this imbalance may seem like a production flaw, but with repeated listening it becomes clear that it is a deliberate artistic choice. Every element is carefully positioned within the composition, each taking its turn to surface before being swallowed once more by the song's crushing intensity. The bridge slows the pace even further, deepening the oppressive atmosphere and adding another layer of darkness to an already immersive composition.
'The Gnawing' opens with eerie, guitar-driven textures that immediately establish a calm yet deeply melancholic atmosphere. There is a quiet beauty to the composition, one that feels both haunting and profoundly emotional. As the track unfolds, the instrumentation takes on a narrative quality, with each melody seeming to tell its own story. The absence of vocals never leaves a void; instead, it allows the guitars and subtle melodic details to speak for themselves. It is precisely this restraint that makes 'The Gnawing' one of the album's most affecting and emotionally resonant moments.
The journey comes to an end with the closing track, 'The Loop Closes', a piece that embraces restraint without sacrificing emotional impact. Gentle, clean guitar lines drift through the composition as the distant sound of breaking waves quietly fills the background, creating an atmosphere of reflection and quiet resignation. The sparse vocal passages are delivered with remarkable tenderness, carrying equal measures of longing, sorrow, and a fragile sense of hope. Every note feels emotionally charged, gradually building towards a finale that leaves a lingering sense of heart-stopping dread. As the final moments faded into silence, I was left with the bittersweet feeling of being saddened that the journey had come to an end, yet grateful to have experienced it.
With 'Tracks From The Slither', UMBERSOUND deliver their most immersive and emotionally resonant work to date. Blending atmospheric doom/death with haunting melodies and deeply introspective songwriting, the album unfolds like a carefully crafted emotional journey that lingers long after the final note has faded. A compelling release that rewards patience and demands to be experienced as a complete work.
SCORE 9/10
REVIEWED BY SWAMPY
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