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Release Date: 10 July via Independent - Originally formed in 2016 as an outlet for material that did not fit the founders' main band, PISSBUCKET, RODTGOD quickly evolved beyond its initial purpose into a project with a distinct identity. Drawing from death, doom, sludge, and stoner metal, the band has developed what it describes as "health metal",a blend of crushing heaviness, dark humour, and surprisingly thoughtful themes that explore the complexities of the human experience. Following the release of "New Doom Rising" and "Know Your Pain", "Pick Your Poison", RODTGOD took a more serious and introspective turn with the 2023 EP "Graveside Service". That shift now reaches its culmination on "Tales From Beyond The Tomb", a release that brings together the band's contrasting musical personalities while continuing to expand its unconventional approach.

'Hourglass' opens the album with heavily distorted, reverb-soaked vocals that immediately establish an eerie and unsettling atmosphere. The vocal delivery conveys a palpable sense of disgust and anguish before gradually descending into deep growls. While the instrumentation sits slightly further back in the mix than I would have preferred, it ultimately complements the track's oppressive mood. Beneath it all, a pulsating bass line provides a heavy foundation, while the bridge introduces a more melodic passage that revisits the distorted vocal textures from the opening, bringing the composition full circle. 'Letter of Thanks' begins with a calm, reverb-drenched guitar melody that immediately draws the listener into a trance-like atmosphere. Simple yet effective drumming and heavily distorted guitar lines gradually expand the composition before the deep, dark vocals emerge, perfectly complemented by the weighty instrumentation. Clean vocal passages make occasional appearances, adding subtle contrast without disrupting the song's sombre mood. The bridge returns to the hypnotic atmosphere established in the opening, enriched by eerie soundscapes that reinforce the track's haunting character. The clean guitar intro to 'Waters' evokes the gentle sound of dripping water, immediately creating a calm and reflective atmosphere. That brief moment of serenity soon gives way to slow, crushing guitar work, measured drumming, and a prominent bass line, all combining to create a suffocating sense of weight that perfectly suits the song's mood. The clean vocal passages, however, never fully clicked with me. While they provide contrast to the otherwise oppressive soundscape, they momentarily disrupt the immersion rather than enhancing it. Aside from that minor reservation, 'Waters' stands out as another highly atmospheric and thoughtfully constructed piece.
'Night Terrors Morning Horrors' allows only a brief moment of calm before plunging headfirst into rusty, abrasive guitar tones and commanding, march-like drumming. As throughout the album, the vocal performance is dark and aggressive, yet delivered with conviction and genuine purpose. The track maintains the record's oppressive atmosphere while carrying enough momentum to serve as a strong gateway into its second half. 'Fear of the End' opens with an intriguing sound effect that could easily be mistaken for either a distant storm or the crackle of a distorted radio transmission. Whatever its source, it blends seamlessly into the composition and immediately deepens the song's unsettling atmosphere. The instrumental section that follows leans more towards traditional heavy metal in its melodic approach, yet an underlying sense of heaviness never truly fades. By the closing moments, the track takes on an almost nostalgic, otherworldly quality, bringing its haunting atmosphere to a memorable conclusion. 'All Is Not Lost' follows the blueprint established by many of the preceding tracks, and that works very much in its favour. Rather than feeling repetitive, it reinforces the album's strong sense of cohesion and identity. Commanding vocals, weighty instrumentation, and convincing songwriting once again come together to deliver another engaging and emotionally charged composition. The album comes to an end with the wonderfully titled 'Unfathomable Duck Invocation Of The Mighty Space Newt', and true to its name, the track is every bit as bizarre as expected. It opens with a chorus of duck quacks, sounding as though they were recorded beside a quiet lake, before broken, heavily distorted vocals slowly emerge, resembling the playback of an old, malfunctioning tape recorder. Along the way, an unexpected spoken-word sample even educates the listener on a duck's preferred diet. By the halfway point, the track has evolved into an odd yet strangely compelling blend of crushing heaviness, atmospheric passages, and persistent duck quacking. It is a delightfully eccentric finale that perfectly captures RODTGOD's unconventional personality.
With "Tales From Beyond The Tomb", RODTGOD deliver a dark, atmospheric, and refreshingly unconventional record that balances crushing heaviness with moments of surprising restraint and humour. Strong songwriting, immersive atmospheres, and a willingness to experiment make this an engaging listen for fans of doom, sludge, and death metal alike.
SCORE 8/10
REVIEWED BY SWAMPY
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