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LASER DRACUL - Hin Håle Blues

Dark legends, ancient superstitions and a generous dose of doom metal, welcome to the world of LASER DRACUL. Hailing from Borlänge, Sweden, the band have been carving their own path through the heavy underground since 2015, combining crushing riffs with blues-soaked grooves and psychedelic influences. Following their self-titled EP and 2020 debut album, Hagridden, the Swedes return on October 30 via Majestic Mountain Records with their latest offering, Hin Håle Blues. Taking its name from an old Swedish expression for the Devil, the album draws inspiration from the darker folklore and traditions of the band's native Dalarna region. Musically, LASER DRACUL promises a blend of monolithic riffs, heavy rock, blues and dark psychedelia, firmly rooted in classic doom. But can they turn these familiar ingredients into something that truly stands out? Let's find out.

'Our King Is Forever' opens the album with the sound of cold footsteps echoing across a stone floor, accompanied by indistinct voices murmuring in the background. It is a wonderfully unsettling introduction that immediately establishes an atmosphere of anticipation. Within seconds, a gritty, heavily distorted guitar riff emerges, supported by slow, deliberate cymbal work. Gradually, a massive wall of sound begins to crawl forward, its weight intensified by layers of distortion. The vocals arrive as a mixture of different voices, resembling an ominous chant performed during some forgotten ritual. Dark, melancholic melodies weave through the composition, with subtle psychedelic touches adding another dimension to its oppressive character. During the bridge, the recurring distorted guitar note from the opening returns, now underpinned by a heavy bass line that reinforces the song's hypnotic pull. Towards the end, more adventurous guitar passages introduce some welcome variation, rounding off an opening track that thrives on atmosphere as much as sheer heaviness. 

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'Bringer of Light' begins with what sounds like distant radio static, gradually growing louder until faint, almost ghostly voices seem to emerge from the noise. A prominent, buzzing bass line soon takes hold, its suffocating weight giving the composition an intensely claustrophobic character. Every instrument contributes to that feeling of confinement, working together to create a remarkably cohesive yet unsettling sound. The vocals are coated in a noticeable layer of reverb, adding depth and an eerie sense of distance without diminishing their presence. As the song progresses, the delivery becomes increasingly tormented and sinister, with every phrase seemingly carrying more anguish than the last. It is this combination of oppressive instrumentation and growing vocal intensity that makes 'Bringer of Light' particularly effective.

'The End Of Time' kicks off with a wonderfully groovy bass solo before broad guitar passages and melodic drumming gradually join the composition. Beneath the heavy instrumentation, subtle organ notes introduce another layer of dark psychedelia, giving the music an almost haunting quality. Eerie, choir-like vocals soon emerge, adding a sense of grandeur to the already imposing atmosphere. I particularly enjoy the brief guitar solo, which manages to stand out without disrupting the crushing heaviness surrounding it. Despite its considerable weight, the songwriting allows each element enough room to breathe, creating an engaging balance between melody and sheer force. A short moment of respite during the bridge offers some welcome contrast before the intensity builds once more, eventually fading into silence. A beautifully layered piece that demonstrates how effectively LASER DRACUL can combine atmosphere, groove and doom-laden heaviness. 

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We reach the end of the album with 'Come To Me Witches', and while we have already talked extensively about LASER DRACUL's crushing heaviness, the closer might just be its most imposing expression. A relentless, marching guitar riff and commanding drums create an almost battlefield-like atmosphere, with the vocals matching the intensity of the instrumentation. There is something deeply oppressive about this composition, to the point where I can almost feel a physical weight pressing down on my chest. Faint organ notes continue to drift beneath the massive sound, adding a sinister undertone without drawing attention away from the sheer force of the music. What I particularly enjoy, however, is the persistent melancholy that runs through the track, a quality that has accompanied us throughout the entire album. It gives the aggression an emotional dimension and makes this final assault feel like more than just another exercise in heaviness. A powerful and fitting conclusion to a remarkably weighty record.

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With "Hin Håle Blues", LASER DRACUL delivers a crushing yet surprisingly emotional journey through doom, blues and dark psychedelia. Monolithic riffs, prominent bass lines and deliberate drumming create an almost physical sense of heaviness, while eerie organ passages, ritualistic vocals and haunting melodies add depth to the oppressive atmosphere. What makes this album particularly compelling is the persistent melancholy beneath all that distortion, giving the music a character that goes beyond sheer sonic weight. The songwriting remains cohesive throughout, allowing each instrument to contribute to the album's sinister, hypnotic pull. Dark, immersive and beautifully unsettling, Hin Håle Blues is a powerful statement from a band that understands how to make heaviness truly resonate.

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SCORE 8.5/10

REVIEWED BY SWAMPY

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