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HKSPK - Heimkehr

Release Date: September 11 via Independent - You can return without ever truly making it home. On "Heimkehr", Brandenburg's HKSPK explores exactly that unsettling idea through stories of people and experiences that leave lasting scars. Known as Hello Kitti Scum Porn Killer between 2023 and 2026, the band now bring black and death metal together with punk, hardcore, doom and atmospheric weight. Personal experiences meet historical motifs, loss of control collides with black humour, and bursts of aggression give way to heavier, melodic passages. Eight tracks lie ahead, time to find out what remains when the journey home is finally over.

The prelude slowly draws us into Heimkehr with the sound of pouring rain and clean, melodic guitars. Ominous textures and an eerie choir gradually darken the atmosphere, leaving you wondering what exactly lies ahead. A spoken-word passage eventually cuts through the soundscape and leads us directly into the album's first real attack, 'Torture'.

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'Torture' immediately leaves the restraint of the prelude behind, opening with a considerably darker and heavier guitar riff. A brief slower passage quickly plunges into fast-paced drumming, while distorted guitars lurk further back in the mix. Then the vocals finally arrive, a volatile mixture of spat-out, punk-infused aggression and agonised black metal croaks. Before you really have time to settle into the chaos, everything suddenly cuts out. Barely two minutes long, 'Torture' gets in, does its damage and disappears just as quickly. 

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With 'Sonnenjäger', we encounter German lyrics for the first time on Heimkehr. A relatively restrained opening carries noticeable doom-laden weight before the track breaks into faster melodies, forceful growls and straightforward riffs that are easy to follow. Occasional flashes of thrash add another edge, while cymbal-driven drumming gives the composition additional depth and movement. Much like 'Torture', there is little interest in a drawn-out conclusion, 'Sonnenjäger' simply comes to an abrupt end.

Next up is 'Rot in Despair', the second previously released single alongside 'Torture'. Slow, clean guitar lines drenched in reverb open the track, creating a strange space somewhere between calm and uncertainty. That fragile atmosphere shifts as deep growls enter with genuine weight, sending a few goosebumps along the way. Dense instrumentation and ambient textures gradually surround you until it becomes remarkably easy to lose yourself in the composition. The bridge provides an unexpected moment of tenderness and melancholy before agonised black metal screams tear through once again, accompanied by a wonderfully dragging wall of sound. A track that doesn't simply hit, it slowly pulls you under.

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After the album has pulled us in several different directions, the closing title track finally brings those elements back together. At over six minutes, 'Heimkehr' deliberately steps away from the short, concentrated attacks that came before, allowing its atmospheric black metal side considerably more room to breathe. German vocals accompany beautifully melancholic acoustic passages and layers of melody before the fragile calm eventually gives way to fast, raw black metal in both instrumentation and vocal delivery. A thick, cohesive bass line emerges prominently through the bridge, adding further weight before tortured screams become the final recognisable voice of the album. There is something painfully fitting about that ending: 'Heimkehr' may mean returning home, but the song makes clear that returning is not the same as leaving everything behind.

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With "Heimkehr", HKSPK turned black and death metal into something restless, raw and deeply atmospheric. Punk urgency, doom-laden weight and moments of haunting melody keep the album moving in different directions without losing its identity. Particularly when melancholy and aggression collide, the emotional weight becomes difficult to ignore. Heimkehr is not about returning unchanged, and fittingly, this is an album that leaves a few scars of its own.

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SCORE 8/10

REVIEWED BY SWAMPY

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