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Release Date: September 4 via Rockshots Records - Extreme metal has always drawn inspiration from history, but for HELLMETALL, that history lies directly beneath their feet. Emerging from the isolated Val Resia on the borderlands between Italy, Austria and Slovenia, the band channel the memories and cultural heritage of their homeland through an aggressive blend of thrash and death metal. Particularly distinctive is their decision to perform entirely in Resian, the ancient Slavic language still spoken in the valley. With Mgla, due September 4 via Rockshots Records, HELLMETALL turned towards stories of war, loss and memories passed down through generations, while pushing their music into darker and heavier territory. Let's see what lies within the fog.

We kick things off with title track 'Mgla', which wastes no time on atmosphere or a gentle introduction, instead launching straight into an in-your-face death/thrash attack. A hard-hitting riff and fast-paced drums drive the composition, while the vocals are spat out with plenty of force. The momentum could feel a little stronger in certain passages, but it never becomes a major distraction. Towards the end, more melodic elements begin to emerge before an impressive guitar solo brings the track to a strong close.
'Gemona Btg. Doesn’t Exist Anymore' opens with soaring, epic melodies carried by strong guitar lines and a remarkably present bass. Once the drums enter, the composition develops into an atmospheric, almost narrative wall of sound before shifting towards a more direct death metal attack with thrashy vocals. Yet those epic melodies continue to linger in the background, giving the track a sense of continuity. The bridge provides a particularly effective change of character, with the bass confidently taking the lead and becoming one of the song's strongest moments.
The epic melodies continue through 'Vojussa's Blood', this time joined by strong dual-guitar lines that add further depth to the composition. The bass remains noticeable, although a little more presence in the mix would have given the overall sound a fuller balance. Vocally, aggression meets melancholy and genuine passion, adding an emotional edge to the heavier instrumentation. The real standout, however, is an excellent tapping solo that delivers a definite "oh damn" moment and easily becomes one of the track's highlights.
'Canin's Ghost' – and there it is, the strong bass line I was waiting for, making its presence known right from the beginning. A soaring riff and melodic drumming build around it before the track dives back into heavy thrash territory, backed by fitting death metal vocals. I particularly enjoy how the instruments take on a narrative role of their own, allowing the composition to tell its story beyond the vocals. 'Canin's Ghost' is definitely a personal favourite, and one that feels made to be played live.
At just under four minutes, 'Lest We Forget' is the shortest track on the album and circles back to the direct approach of 'Mgla', launching straight into the action without an introduction. The drums clearly stand out, while deep growls and particularly raspy vocals prove to be a perfect match for the aggression. Despite its speed, the song carries plenty of melody and some serious groove. Towards the end, haunting sounds creep into the atmosphere as another strong solo takes the foreground, accompanied by dark growls lurking behind it.
We reach the end with 'Beograd', and what a closing statement it is. HELLMETALL put their musicianship and thoughtful songwriting firmly in the spotlight, creating a haunting, almost weightless atmosphere that carries a clear sense of passion. Most surprising is the complete absence of vocals, they simply aren't needed. Melody and instrumentation take over the storytelling entirely, proving that emotion and atmosphere can speak just as loudly as words. A beautiful and unexpected way to bring "Mgla" to an end.
With "Mgla", HELLMETALL delivers a passionate blend of death/thrash aggression, soaring melodies and atmospheric depth. Strong guitar work, energetic drumming and memorable vocal performances give the album plenty of character, while 'Canin's Ghost' and the instrumental closer 'Beograd' provide particularly strong highlights. Not every passage carries the same impact, but "Mgla" remains a well-crafted and engaging record with enough personality to stand on its own.
SCORE 8/10
REVIEWED BY SWAMPY




