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Available Nov 21 via @brutalrecords - Grenouer’s Downtown Dream arrives with the weight of a band that has outlived multiple metal eras and refuses to settle into any of them. Instead of looking backward or chasing trends, the album functions as a controlled recalibration of their entire body of work. Three decades of stylistic detours, death metal, industrial rigidity, groove driven syncopation, and melodic expansion, are distilled into a record that sounds unhurried, and structurally exact.
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The opener, “A New Word,” strips the band to its framework. The riffing carries a dry, mechanical bite, but the phrasing is more considered than aggressive, as if the band is setting terms before allowing the record to move. The title track follows with a colder, more industrial swing, tightening the rhythm section into a locked, almost architectural pattern. By the time “Twilight Knots” and “Wrapped in a Shroud” land, the progressive elements start to surface with asymmetrical grooves, abrupt harmonic pivots and clean vocals introduced with restraint rather than sentiment.
The album’s heaviest leverage point is “Synthetic Mutagen,” which runs on tension rather than sheer volume. The band keeps the mix sparse, giving each movement its own space, an approach that lets the track hit without overstatement. “White Lies,” in contrast, uses atmosphere as pressure, pulling the melodic threads into a slow building collision with its industrial core.
Defining Downtown Dream is cohesion. Grenouer avoid the common trap of treating fusion as display; the industrial components, tech metal mechanics, and melodic architecture are integrated, not showcased. The record stands as a rare late career release that doesn’t announce evolution, it embodies it.
9/10
Words by @fuegocasa
In collaboration with @headbangersaustralia