1349 - Winter Mass

The opener “Enter Inferno” sets the stage before the band drops into “Sculptor of Flesh,” a reminder of the precision and brutality that shaped their early identity. Ravn’s vocals cut harder now than they did on the old studio records. Frost keeps the momentum brutal but controlled, shifting patterns to maintain pressure without slipping into monotony. The impact is immediate and sustained.

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The central section of the set shows the strength of their more recent material. “Striding the Chasm” moves with discipline. “Cauldron” gains clarity and menace in the live environment, revealing structure beneath the density. “Serpentine Sibilance” surges forward with fierce intent. “I Am Abomination” hits with renewed conviction, delivered by a band fully aware of its own endurance.

The mix remains rough but intentional. Guitars slice through the room. Bass sits low and heavy. Vox stay just above the clash. Crowd noise is present without overwhelming the performance. Every element feels grounded in the physical space where it was captured.

Kim Diaz Holm’s artwork, drawn during actual performances, matches the immediacy of the recording. His illustrations reinforce the album’s focus on presence rather than polish.

Winter Mass functions as a clear record of 1349 in command of their craft. No embellishment. No softening. Only the core of their sound delivered under conditions that suit them best.

9/10

Words by Fuego Casa

In collaboration with Headbangers Australia

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